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Pieter Wispelwey & Paolo Giacometti

Masterful chamber music by Beethoven, Brahms and Chopin
Small Hall on Sunday
Sun 26 Nov ’23 12:00 uur


Pieter Wispelwey, cello
Paolo Giacometti, piano

Programme:
Beethoven - Variations on See the conqu'ring hero comes 
Chopin - Waltz no. 7 (arr. Davidoff) 
Chopin - Preludes no. 2, 3 & 6 (arr. Wispelwey) 
Chopin - Waltz no. 1 (arr. Davidoff) 
Brahms - FAE Scherzo (arr. Wispelwey) 
Kodály - Sonata for cello solo

Sun 26 Nov ’23
12:00 uur
  • Sun 26 Nov ’23
    12:00 uur
    Small Hall
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  • A drink is included in the price

Pieter Wispelwey full-length! 'On paper, it might be a bit haughty. But in practice, Mr Wispelwey proved impressively up to the challenge with interpretations that were as eloquent as they were provocative.' The New York Times on one of those occasions when Wispelwey managed to perform all six of Bach's solo sonatas in one evening in succession. Tonight, the cellist - Dutch Music Prize 1992 - is accompanied by Italian/Dutch pianist Paolo Giacometti; a golden duo, who were awarded the Brahms Prize of the Brahms-Gesellschaft Schleswig-Holstein in 2019.

Beethoven to start with. The latter, exceptionally for his time, wrote an impressive cello oeuvre together. Now he brilliantly varies on a theme from his idol Handel's oratorio Judas Maccabeus. Chopin composed almost exclusively for piano. Is well known. But couldn't his songful music also be played beautifully on cello? Then you hear completely different, new things. Wispelwey and Giacometti sign for it together. Finally, Wispelwey alone: with Kodály's solo sonata from 1915. Considered the finest for cello solo since Bach. The Hungarian Zoltán Kodály was inspired by the folk music of his country as well as by Debussy and fellow friend Bartók.

Part of

‘On paper it is perhaps a bit of hubris. In practice Mr. Wispelwey proved himself impressively up to the challenge, offering performances as eloquent as they were provocative’

New York Times

Small Hall on Sunday